In this project, I bring together two icons of vanished eras – Polaroids and CD. These are not just image or data carriers, but tangible traces of time. Tactile, imperfect, vulnerable. Each bears the imprint of human touch, the erosion of time, the dust of light from the past. Polaroid captures a moment as it is – once and forever. CD, by contrast, was designed for duplication, repetition I asked myself: can these two approaches to memory be merged? And what happens when a living, fragile photographic emulsion is tenderly transferred onto a dead, disfigured disc? What is born at the crossroads of analog and digital? Using the technique of Polaroid emulsion lifting, I apply the wounded skin of an image onto warped CD surfaces. Under light, complex reflections emerge – visual phantoms, echoes, an inner radiation of the forgotten. These hybrid objects become layered artifacts, where the uniqueness of the moment enters into dialoque with the reproducibility of data.