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OSMO: Brand identity
Nothing here was invented. Every reference was stolen. Every image comes from somewhere else. The logo is just six dots. The photography is stock. The typeface already existed. Design isn’t about creating something from nothing. It’s about seeing what others don’t. But everything here you’ve already seen in different projects, it’s juct a knockoff.
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???? | IMP Packing Brand Identity Renewal
IMP Packing has spent over five decades cultivating deep expertise in the tape industry, establishing production bases across Taiwan, China, and Vietnam to serve major markets in North America, Japan, and beyond. In an era of intensifying global competition and evolving customer demands, IMP faces a pivotal challenge: how to transform its profound manufacturing foundation…
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TÉMISCOUATA HAUT EN COULEUR
This project, initiated by the MRC of Témiscouata, highlights eight people from immigrant backgrounds who have chosen to put down roots in the region. I had the privilege of meeting them and creating portraits with them. In this series, I wanted to give an important place to the people being photographed in the construction of…
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Somalia National Pavilion ? La Biennale di Venezia 2026
Somalia National Pavilion ? SADDEXLEEY The 61st International Art Exhibition ? La Biennale di Venezia marked a historic milestone with the opening of the first-ever Somalia National Pavilion. For SADDEXLEEY, featuring works by Ayan Farah, Asmaa Jama, and Warsan Shire, we developed a visual identity that translates the exhibition’s themes into a contemporary graphic language while honoring…
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Detailing Lettering for Package Design
Our design for the Filema Rodion traditional treats series visualizes the concept of filema (the act of offering). By utilizing white surfaces, the packaging allows the custom-designed traditional plates and their contents to take precedence. While the visual language of the plates draws inspiration from the heritage of Rhodes, the overall composition remains restrained, guiding…